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Then there was the crew – the grunts mostly Filipino and Indian, the officers and the captain, who loved making unintelligible announcements at random junctures, Italian.There was a running joke among the ship’s crew about the captain: “Knock, Knock” “Who’s there? ” “.” Americans were conspicuously absent from the crew, replaced by a bunch of people who were all probably really good at soccer.

I was told repeatedly that it was common to be “straight on shore, gay on the high seas.” * * * s anticipated, I stumbled through my first family show, the kids frolicking in the aisles.They complained and more were conjured up from storage.This happened several times and before long, there were absolutely no more paddles left on the boat, so the staff looked at security camera footage to find out what might’ve happened to them. On the early-evening shows I utilized bits I’d stopped reciting years ago – scraps, anything that wouldn’t rock the boat, so to speak.There was a doo-wop group, a “human statue of liberty,” a boy band, a flamenco dancer, and a piano player from New York who sang in Yiddish. Once ensconced, I studied the pamphlet I’d been given.The audience consisted of 500 extras from the movie “Cocoon,” several of whom according to the showcase coordinator were “survivors.” Bussed in by cruise lines, they were used as a litmus test for picking performers. It was a sort of employees’ guide to the cruise line and it was mind-bogglingly rigid.

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